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Meet Kyle & Adrienne

Kyle and Adrienne - Color

Hello everybody! I know, long time, no post. I’ve been a busy gal. I’m getting ready for a late April 2014 return trip to Big Bend National Park.  I’ve also been  putting together my packing list for my August Alaska 2014 trip, and I just purchased a plane ticket for an October visit to Hawaii where I have a reservation for 4 days at Volcano House in Volcanoes National Park. On top of that, I am trying to get into better (waaaayyyy better) shape in order to do the hikes I want for all of these trips. And, I admit, it’s been a little “dry”, photographically, since my last post.

A week ago, however, I traveled north and west of Houston to a lovely home for some engagement photos with Kyle and Adrienne. I’d been hired to photograph their June wedding and Adrienne told me her mother wanted an engagement photo session.

The day dawned overcast with a few sprinkles; the photos were supposed to be taken in Adrienne’s parents’ backyard garden. We’d scheduled a time of 11:30AM, so I knew the light would be flat, but I figured we’d still get some great shots and I’d bring along some fun umbrellas as props to keep the couple dry if it rained. As soon as I parked my car in front of their home, the sun came out; an auspicious omen.

I used my Canon 5D Mk III and Canon 1DX. I placed the Canon 85mm f1.2L lens on the Mk III and the Canon 24-70mm L II lens on the 1DX. I brought along my flash, too, which was good since several of the settings were interior shots. For those of you who have been following my posts for awhile, you know that I generally eschew flash because I simply don’t like it. I did use it for a couple of shots, but I also used just the ambient lighting and increased the ISO to compensate for the low light.

Below are some sample images from the morning’s session.

Multiple Kyles and Adriennes

Multiple Kyles and Adriennes - Garden Closeup

I’m starting to get the hang of this multiple-shots-in-one-image thing and thought it would be a fun trick for a couple of images.

Kyle and Adrien Azaleas - Color

The pink azaleas perfectly matched Adrienne’s sundress.

Kyle and Adrienne - Yucca - Original

Adrienne and Kyle - Tree BW

Among the many images taken, I also made sure to get some poses that might make for a nice photo to put into the engagement section of the newspaper.

Kyle and Adrien at Piano

This image was taken using a high ISO and the ambient light.  I chose to keep it the golden color of the interior lighting.  That beautiful charcoal drawing in the background was done by Adrienne’s mother.

Kyle and Adrien at Piano - Vignette

This image was captured using a flash.  I processed the image in Photoshop then applied some presets from OnOne’s Perfect Effects to soften and create a bit of a glow to the scene.

Kyle and Adrienne Stairs

Once again, I used only the ambient light and a high ISO to capture this image.  Then, I added a very little bit of vignetting to focus the eye more on the subjects.

Kyle and Adrienne On Stairs

I used a flash for this image, then cropped it a little more tightly around  the couple.

All-in-all, it was a fun morning and I’m glad I was able to meet the couple prior to their wedding.  By the end of my hour with Kyle and Adrienne, we were all feeling more relaxed in each other’s company.  Engagement photos are a fun way to introduce the photographer to the prospective bride and groom, discuss what kind of images they have in mind, and get everybody comfortable with each other.

If you would like to see more images taken on this day, click on this link.

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Filed under Canon, Canon Lens, Photo Shoots, Photography, Portraits

A Wedding In Galveston – The Bridal Party Posed Shots

Bridal Party On White Chairs

Josh and Maegan did one of the smartest things I think any bride and groom can do: they opted to get all of the posed shots (sans families) out of the way *before* the ceremony. That way, only the family posed shots remained post-ceremony and people were able to get to the reception and have fun faster and earlier. Plus, I didn’t have to worry about corralling everybody together. Thanks to that handy schedule Maegan emailed to all the key players, everybody knew their time and part to be played.

Now, I’ve heard this argument  from a number of people regarding the groom seeing his bride for the first time:  shouldn’t this be done *during* the ceremony? Folks, just because all of the bride and groom images were taken before the ceremony did NOT mean that there were not any photos taken of Josh as he saw his bride for the first time. It’s not a mandatory thing for a crowd of guests to be present for this event.  Images of the groom seeing his bride for the first time are special, with the focus on the groom and nobody else.

Here’s what I had Josh do: He came out to the gazebo first and I told him to stand facing the Gulf of Mexico view so his peripheral vision wouldn’t see Maegan coming out of the resort and down the side walkway toward the gazebo.

Waiting To See His Bride

Here Comes The Bride

I told Maegan to go stand about 2 rows away from the gazebo. We then *both* had to call out loudly to Josh that it was ok for him to turn and look.

Seeing His Bride

Seeing His Bride

From there, it was a series of bride & groom shots, bride & groom & bride’s daughter shots, and bride & bridesmaid shots. Everything was outside, the lighting was great, the background venue was great, and the resulting photos turned out really well. I used both my Canon 5D Mk III and Canon 1-DX with the 24-70mm lens and the 70-200mm lens.   For the images of Josh’s reaction to Maegan as she approached him in her bridal gown, I set the focus mode on the 1-DX on servo because I knew Maegan was moving toward Josh and Josh kept turning toward Maegan with his smile growing ever wider.

Maegan and Josh

Maegan and Josh

Maegan and Josh

Maegan Josh and Bella

Maegan and Josh Kissing Bella

Josh and Bella

Maegan and Bella

Bridal Party At The Gazebo

Bride & Bridesmaids Outside

Showing Off The Foot Jewelry

Showing off the foot jewelry.  Instead of slippers, the bride and bridesmaids all wore delicate foot jewelry to walk down the grass aisle.

Bride Relaxing - Wider Shot

Bride Relaxing On The Chairs

Maegan-White Dress-White Chairs-BW

After the posed shots, there was about a an hour or more during which we  could all relax (well, except for the photographer) prior to returning for the ceremony. The guys went one direction and we ladies headed back up to the 16th floor to find ourselves locked out of Josh & Maegan’s penthouse suite. Some of the room card keys had been left in the room and the card keys available to us did not work. While waiting for the resort’s security to come up and unlock the door, I asked Maegan to pose in front of the long, curving bank of hallway windows. The rear architecture of the San Luis Resort is completely made up of those neat curving floor-to-ceiling windows from one end of the hallway to the other (except for the part where the elevator banks are) and they make for great photo ops.

Bride In The Hallway

Portrait of Maegan

Oh, and  don’t forget to get some silly shots, too.

Silly Girls

Next post: The Ceremony

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A Wedding In Galveston – The Bride Getting Ready

Taking A Break

Judging by the room Josh and Maegan had, I’d say the San Luis Resort penthouse suites are – well –  sweet 😉

I entered with all of my gear, set it out of the way of the ladies in the room, and began picking up cups and plates off of the coffee table and moving chairs and other things around the room to make space for forthcoming photo ops. I decided there would be no need for any flash as the ambient light from the balcony windows mixed nicely with the interior shadows. The bride finally returned from the salon and the photography process began.  And this, folks is where the art of photography really comes into play when capturing the beauty of the Bride and her Ladies.

Bridesmaids On The Couch

Bride and Bridesmaids Robes

I first saw Maegan in her little “Bride” robe when she waltzed down to the salon for her hair appointment. She told me the bridesmaids and matron of honor each had robes as well only they were in the bride’s color (aqua) with white embroidery writing on the backs.

Showing Bella The Locket

I’ve noticed this about the “getting ready” sessions I have photographed prior to the actual wedding ceremony: they are all very relaxed and intimate, with hugs and fun chatter and quiet excitement of the ceremony to come. Talk centers around family. In the image above, Nana was showing her granddaughter the locket that will someday belong to her.

When you are hired to photograph a wedding, it’s so very important to get to know the couple prior to the Big Day.   Why?  Because having the couple  feel comfortable with you and your style is worth so much in terms of the kinds of photographs you can achieve on their behalf.  When everybody feels comfortable around you, then they tend to not feel so self-conscious and worried about having a camera around them on a constant basis.  They relax in your presence and the photographs you capture reveal the love, affection, and emotion of the day.

Bride

Getting a photo of the wedding dress is almost a de rigeur photo nowadays.  And Maegan was cracking me up.  Pretty much everything she wore said “Bride”, from her robe to her tank top.

That quiet excitement began to build as the bride was helped into her gown and finishing touches were applied.

In The Wedding Dress

I made use of my 70-200mm, 50mm, and 24-70mm lenses for these images. All of them hand-held. No flash. In all of the photos with people (excepting the reception images), I added a touch of Imagenomic’s Portraiture. It’s all about looking good for the wedding, you know.

If you are in a situation where you can utilize side-lighting, then by all means do so, as it is fantastic for portraits.

Buttoning Her Dress

Putting On The Wedding Jewelry

Bride and Bridesmaids

Portrait of Happy

If you are in a situation where you can utilize backlighting for the bride, then this is another one of those “by all means do so” moments.

Maegan-Wedding Dress-Window

Maegan-Wedding Dress-Window

Bella And Maegan At Window

Yes, the backlit bride and her dress are clichéd shots that all photographers get, but nobody can argue they aren’t beautiful images and every backlit bride image is different from wedding to wedding, so it’s not *quite* the same thing as photographing a landscape that everybody else with a camera has captured.

Standing At The Window

Bella And Maegan At Window

Portrait Of The Bride VIGNETTE

I also made use of black & white with some of the photos. Weddings, IMO, were made for monochrome. In some cases, I noticed the black & white images bringing out more dress detail than in the color images.

Next post: Posed Shots – The Bride, Groom, The Bridesmaids, The Bridal Party

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A Galveston Wedding – The Big Day: Hairstyling and Makeup

Bride

My day of photography did not start until 10AM, when I met the bride, her mother, her daughter, and bridesmaids down in the resort’s spa for a morning of hairstyling and makeup.

The salon portion of the spa is relatively small – or rather, I should say it’s styling cubicles are relatively small, so one of the things I had to watch out for was accidentally getting in the way of the shot. I photo-bombed myself more than once, I’m afraid.

Working The Photo

Since this was an interior photo op, I increased the ISO to 500. I had my Gary Fong dome diffuser attached to the flash on my 1-DX, but never used it as it would have reflected in the salon’s mirrors.

Bella In The Chair

Hair and makeup sessions make for great ops, despite the above considerations. Make use of the mirrors and their reflections. Frame your compositions at different angles for some variety.

Reflection of Valerie

Bonnie Hair Mirrors Reflections

Valerie's Updo

And try to get images that the ladies would like (i.e. try not to take unflattering straight shots of faces without makeup – if you do happen to get those shots, then make sure you’ve added a little interest or humor to the comp).

Maegan and Bella at Hairdresser

Becoming Beautiful

I was there from 10AM to about 12:30PM. After that, I was off to photograph the groom and his men.

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