Tag Archives: bridesmaids

A Wedding In Galveston – Après Ceremony And The Reception

Guest Registration Table

Immediately after the ceremony, the bridal party ensconced themselves in an empty room within of the gazebo and waited for the guests to head  for the reception. Next on the schedule were family photos. While we waited, I captured a few images of the Newlyweds.

Bella-Maegan-Parasols

For this image, I used only the ambient side light coming from the window because of the warm, intimate feel the light bestowed.

Maegan And The Boyz

I used my Gary Fong dome diffuser over the flash for this quick shot of Maegan and the Boyz.

Family photos done, the bridal party remained for a few more photos.

Happiness

Bride Bridesmaids and Parasols

A Quiet Moment

I stayed glued to the bride and groom and photographed them as they took the stairs down to the reception area.

Josh & Maegan - Stairs

Josh & Maegan - Kissing - Stairs - Perfect Effects

This is one of my favorite images.  For this photo, I used only the ambient light and bumped up the camera’s ISO to 1000.  Shutter was 1/40 and the aperture was f4 on my 5D Mark III.  I then used a vignette-spotlight preset from OnOne’s Perfect Effects plug in to brighten the area around the couple.  No, that preset did not create that yellow spotlight – the yellow light was already there.  The preset simply created a brighter area around Josh & Megan while lightly vignetting the rest of the image.

For the remainder of the reception, I focused mainly on getting candid shots and those little accents (like the table setting) that flesh out the character of the reception.

Bride and Bridesmaids

Fixing the bride’s bustle so she could dance and move around with a little more ease.

Bride & Groom Seating Assignments

Tablesetting And Background Dancing

The bride and groom dancing in the bokeh’d background with focus on the table setting.

The Band

The awesome band.

Aint No Mountain High Enough

The next dance after the First Dance was especially for the bride’s daughter.  The song was “Aint No Mountain High Enough”.

A Big Hug

Fun On The Dance Floor

On The Dance Floor

Up In The Air

Hava Nagila

Hava Nagila!

Fun On The Dance Floor

While I of course captured the prerequisite images of the First Dance, the father-daughter dance, the mother-son dance, the toasts, and the cake (and cake cutting), I knew the bride and groom would want lots of photos of their guests having fun and the two of them having fun alongside their guests, as you can see from the photos above.

First Dance

First Dance

Best Mans Speech

A Toast

Father Daughter Dance

Father-Daughter Dance

Mother-Son Dance

Cake Table Perspective

Cake Table

Cutting The Cake

Feeding Each Other Cake VIGNETTE

Reception photos can be problematic because receptions – as a rule – are low-light affairs. Flash is usually called for.   I, on the other hand, don’t like using flash as much as using the available light.  For the reception, though, the only real light came from the candles and lit lanterns on the tables and a large, drape of material embedded with lights.  So, I used both flash and ambient light, with ISOs anywhere from 2000 to 6400.  Yes, I had to use a noise reduction plug-in (although at times I used Lightroom’s  noise reduction sliders instead of my plug-in software – Lightroom’s noise reduction is not too bad, actually).

Bella On The Dance Floor

My feet were hurting (damned those beautiful patent leather shoes) so I was sitting at one of the tables, happily snapping away at the bride’s daughter who was happily swirling about the dance floor with her dress billowing around her.  She turned to me and blew me a kiss.

Bellas Swirling Dress

Bellas Swirling Dress

I am guilty of taking quite a few photos of the bride’s 6-year old daughter. She was a  fun (and funny) little girl who enjoyed herself every bit as much as the adults.

Next Post:  Thoughts and Hindsight

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A Wedding In Galveston – The Bridal Party Posed Shots

Bridal Party On White Chairs

Josh and Maegan did one of the smartest things I think any bride and groom can do: they opted to get all of the posed shots (sans families) out of the way *before* the ceremony. That way, only the family posed shots remained post-ceremony and people were able to get to the reception and have fun faster and earlier. Plus, I didn’t have to worry about corralling everybody together. Thanks to that handy schedule Maegan emailed to all the key players, everybody knew their time and part to be played.

Now, I’ve heard this argument  from a number of people regarding the groom seeing his bride for the first time:  shouldn’t this be done *during* the ceremony? Folks, just because all of the bride and groom images were taken before the ceremony did NOT mean that there were not any photos taken of Josh as he saw his bride for the first time. It’s not a mandatory thing for a crowd of guests to be present for this event.  Images of the groom seeing his bride for the first time are special, with the focus on the groom and nobody else.

Here’s what I had Josh do: He came out to the gazebo first and I told him to stand facing the Gulf of Mexico view so his peripheral vision wouldn’t see Maegan coming out of the resort and down the side walkway toward the gazebo.

Waiting To See His Bride

Here Comes The Bride

I told Maegan to go stand about 2 rows away from the gazebo. We then *both* had to call out loudly to Josh that it was ok for him to turn and look.

Seeing His Bride

Seeing His Bride

From there, it was a series of bride & groom shots, bride & groom & bride’s daughter shots, and bride & bridesmaid shots. Everything was outside, the lighting was great, the background venue was great, and the resulting photos turned out really well. I used both my Canon 5D Mk III and Canon 1-DX with the 24-70mm lens and the 70-200mm lens.   For the images of Josh’s reaction to Maegan as she approached him in her bridal gown, I set the focus mode on the 1-DX on servo because I knew Maegan was moving toward Josh and Josh kept turning toward Maegan with his smile growing ever wider.

Maegan and Josh

Maegan and Josh

Maegan and Josh

Maegan Josh and Bella

Maegan and Josh Kissing Bella

Josh and Bella

Maegan and Bella

Bridal Party At The Gazebo

Bride & Bridesmaids Outside

Showing Off The Foot Jewelry

Showing off the foot jewelry.  Instead of slippers, the bride and bridesmaids all wore delicate foot jewelry to walk down the grass aisle.

Bride Relaxing - Wider Shot

Bride Relaxing On The Chairs

Maegan-White Dress-White Chairs-BW

After the posed shots, there was about a an hour or more during which we  could all relax (well, except for the photographer) prior to returning for the ceremony. The guys went one direction and we ladies headed back up to the 16th floor to find ourselves locked out of Josh & Maegan’s penthouse suite. Some of the room card keys had been left in the room and the card keys available to us did not work. While waiting for the resort’s security to come up and unlock the door, I asked Maegan to pose in front of the long, curving bank of hallway windows. The rear architecture of the San Luis Resort is completely made up of those neat curving floor-to-ceiling windows from one end of the hallway to the other (except for the part where the elevator banks are) and they make for great photo ops.

Bride In The Hallway

Portrait of Maegan

Oh, and  don’t forget to get some silly shots, too.

Silly Girls

Next post: The Ceremony

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A Wedding In Galveston – The Bride Getting Ready

Taking A Break

Judging by the room Josh and Maegan had, I’d say the San Luis Resort penthouse suites are – well –  sweet 😉

I entered with all of my gear, set it out of the way of the ladies in the room, and began picking up cups and plates off of the coffee table and moving chairs and other things around the room to make space for forthcoming photo ops. I decided there would be no need for any flash as the ambient light from the balcony windows mixed nicely with the interior shadows. The bride finally returned from the salon and the photography process began.  And this, folks is where the art of photography really comes into play when capturing the beauty of the Bride and her Ladies.

Bridesmaids On The Couch

Bride and Bridesmaids Robes

I first saw Maegan in her little “Bride” robe when she waltzed down to the salon for her hair appointment. She told me the bridesmaids and matron of honor each had robes as well only they were in the bride’s color (aqua) with white embroidery writing on the backs.

Showing Bella The Locket

I’ve noticed this about the “getting ready” sessions I have photographed prior to the actual wedding ceremony: they are all very relaxed and intimate, with hugs and fun chatter and quiet excitement of the ceremony to come. Talk centers around family. In the image above, Nana was showing her granddaughter the locket that will someday belong to her.

When you are hired to photograph a wedding, it’s so very important to get to know the couple prior to the Big Day.   Why?  Because having the couple  feel comfortable with you and your style is worth so much in terms of the kinds of photographs you can achieve on their behalf.  When everybody feels comfortable around you, then they tend to not feel so self-conscious and worried about having a camera around them on a constant basis.  They relax in your presence and the photographs you capture reveal the love, affection, and emotion of the day.

Bride

Getting a photo of the wedding dress is almost a de rigeur photo nowadays.  And Maegan was cracking me up.  Pretty much everything she wore said “Bride”, from her robe to her tank top.

That quiet excitement began to build as the bride was helped into her gown and finishing touches were applied.

In The Wedding Dress

I made use of my 70-200mm, 50mm, and 24-70mm lenses for these images. All of them hand-held. No flash. In all of the photos with people (excepting the reception images), I added a touch of Imagenomic’s Portraiture. It’s all about looking good for the wedding, you know.

If you are in a situation where you can utilize side-lighting, then by all means do so, as it is fantastic for portraits.

Buttoning Her Dress

Putting On The Wedding Jewelry

Bride and Bridesmaids

Portrait of Happy

If you are in a situation where you can utilize backlighting for the bride, then this is another one of those “by all means do so” moments.

Maegan-Wedding Dress-Window

Maegan-Wedding Dress-Window

Bella And Maegan At Window

Yes, the backlit bride and her dress are clichéd shots that all photographers get, but nobody can argue they aren’t beautiful images and every backlit bride image is different from wedding to wedding, so it’s not *quite* the same thing as photographing a landscape that everybody else with a camera has captured.

Standing At The Window

Bella And Maegan At Window

Portrait Of The Bride VIGNETTE

I also made use of black & white with some of the photos. Weddings, IMO, were made for monochrome. In some cases, I noticed the black & white images bringing out more dress detail than in the color images.

Next post: Posed Shots – The Bride, Groom, The Bridesmaids, The Bridal Party

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A Galveston Wedding – The Big Day: Hairstyling and Makeup

Bride

My day of photography did not start until 10AM, when I met the bride, her mother, her daughter, and bridesmaids down in the resort’s spa for a morning of hairstyling and makeup.

The salon portion of the spa is relatively small – or rather, I should say it’s styling cubicles are relatively small, so one of the things I had to watch out for was accidentally getting in the way of the shot. I photo-bombed myself more than once, I’m afraid.

Working The Photo

Since this was an interior photo op, I increased the ISO to 500. I had my Gary Fong dome diffuser attached to the flash on my 1-DX, but never used it as it would have reflected in the salon’s mirrors.

Bella In The Chair

Hair and makeup sessions make for great ops, despite the above considerations. Make use of the mirrors and their reflections. Frame your compositions at different angles for some variety.

Reflection of Valerie

Bonnie Hair Mirrors Reflections

Valerie's Updo

And try to get images that the ladies would like (i.e. try not to take unflattering straight shots of faces without makeup – if you do happen to get those shots, then make sure you’ve added a little interest or humor to the comp).

Maegan and Bella at Hairdresser

Becoming Beautiful

I was there from 10AM to about 12:30PM. After that, I was off to photograph the groom and his men.

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