The National Parks Traveler has published my January photography article. Click on the photo to check it out.
HAPPY NEW YEAR, EVERYBODY
(yes, one day early – at least it’s not one day late as is my usual timing)
As I look back on 2016, I see a mix of good and bad, as is usual over the course of a year. The good stuff had to do with travel and photography and getting closer to what is left of my family. The bad stuff – well, let’s just say 2016 was marginally better than 2015, which was a horrible year.
Sooooo, I’m truly hoping that 2017 makes up for all the bad stuff. And I also hope the New Year 2017 is a start of many good things for all of you out there.
Now, for this photo: I had the great good fortune to stay in London over Christmas and New Year. It was my last hurrah to close out that horrible 2015 year I mentioned earlier. I deliberately chose that time of year to fly to London because I wanted to especially see the fireworks over the London Eye.
I remember joining the hordes to wait about 45 minutes for the security lines to open up so we could go find a spot around 7pm (nothing ever opens up exactly on time, you know). I went through 3 checkpoints before squeezing into a spot along the Thames in front of the Royal Horseguards Hotel and across from that great wheel on which one can get an amazing view of the surrounding land. It was a good thing I didn’t have to go to the toilet because we all stood there, cheek-by-jowl, for about 5 hours, waiting for the countdown to begin. I got acquainted with the family from the Midlands and the young lady from Dubai standing behind me who was there for some sort of news service.
It was worth the wait. The 10-minute display of fireworks was amazing and I alternated between having the camera up to my eye and then putting it down so I could just enjoy the fireworks without looking through a lens. It was such a neat feeling to realize I was actually standing there, in London, watching the New Years fireworks from a prime spot, surrounded by people from all over the world.
Again, Happy New Year! I hope everybody’s 2017 adventures far surpass those embarked upon in 2016.
The National Parks Traveler has just published my latest “Photography In The National Parks” article. Click on the photo to go to my story.
I can’t tell you how many times I have tried to capture a good image of this neat bird. I know, blackbirds are blackbirds are blackbirds (aka ordinary), but those chevrons of bright orange-red are quite the eye-grabber. And these birds have such a pretty song.
This photo was taken out at the Brazoria National Wildlife Refuge, here in southeast Texas, not too far from where I live. I had my Canon 1DX attached to the 500mm prime lens. Thanks for my efforts at losing weight and building up some arm strength, I was able to hand-hold the camera/lens combo (IS turned On) and grab some shots of this red-wing blackbird.
I finished every single one of my errands/chores yesterday so I could drive out to the Brazoria National Wildlife Refuge this morning to see what might be there: tall grass and reeds and cattails with lots of water but not much birdlife – at least, not in the area in which I found myself and nothing near to me and my 500mm lens. The clouds on this morning, however, were dark and fluffy and big and presaged the coming storms predicted for today. So I pulled out the other tripod and my Canon 5DSR with the 16-35mm f//4 IS lens, affixed a circular polarizer to it and used my grad ND filter to bring out the texture in the clouds.
Clouds are a photographer’s best friend. They add drama and character to an already lovely scene and can really spice up an otherwise ordinary or ho-hum scene. The thing about photographing awesome clouds, though, is that you also need a frame of reference or some scale. So don’t just photograph the clouds themselves. Your viewers won’t know whether this was a horizon-filling scene or just a small spot in the sky. Add some ground or buildings or *something* to the cloud scene.
Copyright Rebecca L Latson, all rights reserved.