Happy Earth Day to you, this April 22nd, 2018. I feel like I experience Earth Day every time I visit a national park. On this occasion, I was up with scads of other people at Sunrise Point in Bryce Canyon National Park, Utah, watching: the sunrise.
If you happen to be traveling to the Needles District of Canyonlands National Park, in Utah, along Hwy 211 after turning off of State Hwy 191, you’ll probably pass right by this parking area (with restroom) and a very short path leading to this amazing rock panel crammed with petroglyphs in a fenced-off, quiet sheltered area. Don’t pass by this place. It’s really cool!
This spot records about 2,000 years of human activity from B.C. to A.D. 1300. I can’t find out who actually discovered this spot to make it into an archaeological site, and nobody really knows what all the petroglyphs mean. Do they represent magical symbols, map symbols, calendar events or just doodles? I noticed some current graffiti on the panel (even though the area is fenced off), and I have to tell you, the current graffiti is not half as imaginative or pretty as the ancient stuff. Just sayin’. There’s a reason this archeological site is fenced off.
I had to do a little internet searching, but it has been called a state historical monument that apparently was once part of Bears Ears National Monument, but it’s now been chopped off and is part of the Indian Creek National Monument (according to visitutah.com), located 15 miles west of U.S. Highway 191 (about 60 miles south of Moab).
What’s the difference between petroglyphs and pictographs? Well, petroglyphs are actually carved into the rock, while pictographs are painted on rock. These petroglyphs were etched into the dark rock coating called “desert varnish” to expose the light, buff-colored rock beneath. You can tell the older petroglyphs from the others because they are dark and covered with a bit of desert varnish, again.
It never ceases to amaze me how this particular rock panel was discovered among the vast and imposing mesas, buttes and canyons. If you stand on the road, you can see the panel in the distance, but only if you are really looking for it
Copyright Rebecca L. Latson, all rights reserved.
The view beyond Mesa Arch in Canyonlands National Park, Utah
This morning’s “Featured Story” in the National Parks Traveler deals with an interview I held with Kate Cannon, superintendent of the Southeast Utah Group. I spoke with Superintendent Cannon during the first week of January while I was in Utah, photographing in both Arches and Canyonlands National Parks.
To read the article, click on the photo to be taken to the site.
My unwavering goal in life is to eventually move out of southeast Texas and back to Washington State to live close to my sister and her family. With that in mind and because it feels like I am actually doing something toward that goal, I have donated lots of clothing and other items to the local hospice thrift shop and boxed up (and continue to box up) items in my apartment that I don’t use much but don’t wish to part with at this point in time. Over the 4-day Thanksgiving holiday, I managed to move most of the boxes off of my apartment’s spare bedroom floor and into the spare storage closet, leaving enough room in said spare bedroom for a tiny studio, complete with 2 studio lights & umbrellas, black bedspread backdrop and a black covered table. So tickled was I with this setup that I decided to take a break from housework for the weekend and have some fun with glass and Christmas lights.
I used my Induro tripod and Canon 5DS and Canon 24-70mm f2.8L II lens, ultimately switching over to the Canon 50mm f1.2L lens. ISO for all of the photos you see was 100 and aperture was f11. I played around with the shutter speeds, ranging from 1/6 of a second to 30 seconds. For the plain glass images, I used my two studio lights. For the glass with Christmas lights images, all lights were turned off.